A ten minute Opus, which deserved Mommartz himself the subsequent statement: "a girl communicates with the spectator." More indeed does not happen, but the ecstasy face gives the viewer a hint that what is going on is not compulsive, slick exercise, but love. Mommartz is among the German avant-garde film directors the purist. His scenes concentrate on the basic elements of movement and gentleness, of strain and slackening. Through the suggestive power of repeated banality, he compels the spectator into the rhythm of its cinematic action.
