It’s about the volume and the “cloche” shape, very much about cut, using fabrics which I previously thought were not easily accepted by my customers but they’re in the other lines, so fabrics which were quite strong, quite solid, quite structured, a lot more black than I normally have, so started with black and black and beige and then the bright colour of the orange and the green. The prints we’ve always been quite famous for and this time if you noticed they were all hand-painted prints so again that was a nod to the couture feeling, so very artistic feeling. The little illustration of the people, very upper class people going to the horse-racing and very much like the couture customer, but the couture customer meeting the more bohemian existentialist sort of feeling of Greco meeting the couture.
