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Um filme de e Robert Bresson, baseado no livro de Dostoievski.

Un metteur en ordre: Robert Bresson Interview - TV 1966 http://worldscinema.org/2012/05/robert-bresson-un-metteur-en-ordre-1966/

Invasión es un film estrenado en 1969 dirigido por el argentino Hugo Santiago Muchnick. Según el teórico del cine Ángel Faretta se trata de la obra cinematográfica más importante del cine de culto vanguardista argentino,1 constituyendo un ejemplo2 de un interfase entre el cine clásico y la nouvelle vague de estilo francés, transformándose con el tiempo en un camino posible no explotado de la cinematografía argentina.3 Su trama va desde una historia policial, hacia el género fantástico, con un extrañamiento progresivo de las situaciones. La película fue aclamada por la crítica, pero un fracaso total en un nivel comercial. Prácticamente desconocida, sólo comenzó a ser vista con la reedición del film en DVD en 2008. http://www.imdb.com/title/tt0064490/

Un Joven decide probar la experiencia de robar carteras por la calle. Aunque es apresado rápidamente y su breve estancia en comisaria le permite reflexionar sobre su actividad criminal, una vez liberado y tras la muerte de su madre decide convertir dicha actividad en su arte. Rodada con actores no profesionales en el mas puro estilo Bresson, y basada libremente en el Crimen y Castigo de Dostoievski, esta película es considerada por muchos como un titulo imprescindible de la historia del cine. Fue finalista al Oso de Oro del Festival Internacional de Berlín.

Composition part two - an extension of Episode 5 :: Rule of Thirds. Today we'll look at application of the golden section in composition and explore some of the work of Henri Cartier-Bresson.

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This is a great movie with a pickpocket who had become pickpocket to survive, and through the tory will happen to him strange things. We see cheating techniques, and how someone can strip you and not have an idea. Well I do not think that you have seen many movies with this scenario. Amazing directed by Robert Bresson!

Today we discuss photography: Cartier-Bresson exhibition at The Art Institute of Chicago painter Bonnard's influence on photography William Eggleston Nan Goldin Robert Lowell Zoe Strauss

To get this DVD: www.microcinemadvd.com Award-winning director Damian Pettigrew (Fellini: I'm a Born Liar) offers this definitive portrait of Balthus, a modern artist whose work was nonetheless out of step with most modern movements. His huge canvases with their thickly applied paint feature dreamy adolescent girls in enigmatic poses, resulting in an erotically charged and oddly disorienting style. Pettigrew's beautifully composed documentary highlights the painter's complex creative pocess as he films the artist at work on his studio in the Swiss mountains. Famous friends and family members bare witness to the great artist's life in exclusive interviews, accompanied by photos by such luminaries as Henri Cartier-Bresson and Irving Penn. This is a rare insider's look at one of the 20th century's most intriguing painters. Two shorts complement the film with interpretations of the great man's work and artistic process.

The murder.

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