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Neste programa Sérgio Britto (Rio, 1923 - Rio, 2011), mostra e analisa filmes de Sergei Mikhailovich Eisenstein (Сергей Михайлович Эйзенштейн, (Riga, 1898 – Moscou, 1948), como “Ivã o Terrível” («Иван Грозный») e outros trabalhos do diretor.

«Ива́н Гро́зный», Sergei Eisenstein (Сергей Эйзенштейн) - 1944 \ 45, Nikolai Cherkasov, Николай Черкасов

Sergei Eisenstein: Autobiography (1996); all rights reserved by Oleg Kovalov; for educational purposes only...

Neste documentário da série, “Arte com Sérgio Britto”, Sérgio (Rio de Janeiro, 29 de junho de 1923 - Rio de Janeiro, 17 de dezembro de 2011), mostra e analisa filmes de Sergei Mikhailovich Eisenstein (Сергей Михайлович Эйзенштейн, (Riga, 23 de janeiro de 1898 – Moscou, 11 de fevereiro de 1948), como “Ivã o Terrível” («Иван Грозный») e outros grandes trabalhos do diretor. Sérgio Britto: https://pt.wikipedia.org/wiki/S%C3%A9rgio_Britto “Arte com Sérgio Britto”: http://www.sergiobritto.com/obra/televisao/arte-com-sergio-britto/ Sergei Mikhailovich Eisenstein (Сергей Михайлович Эйзенштейн): https://pt.wikipedia.org/wiki/Serguei_Eisenstein https://ru.wikipedia.org/wiki/%D0%AD%D0%B9%D0%B7%D0%B5%D0%BD%D1%88%D1%82%D0%B5%D0%B9%D0%BD,_%D0%A1%D0%B5%D1%80%D0%B3%D0%B5%D0%B9_%D0%9C%D0%B8%D1%85%D0%B0%D0%B9%D0%BB%D0%BE%D0%B2%D0%B8%D1%87

Battleship Potemkin (Russian: Броненосец «Потёмкин», Bronenosets Potyomkin), sometimes rendered as Battleship Potyomkin, is a 1925 silent film directed by Sergei Eisenstein and produced by Mosfilm. It presents a dramatized version of the mutiny that occurred in 1905 when the crew of the Russian battleship Potemkin rebelled against their officers of the Tsarist regime. Battleship Potemkin has been called one of the most influential propaganda films of all time,and was named the greatest film of all time at the Brussels World's Fair in 1958.

Battleship Potemkin (Russian: Броненосец «Потёмкин», Bronenosets Potyomkin), sometimes rendered as Battleship Potyomkin, is a 1925 silent film directed by Sergei Eisenstein and produced by Mosfilm. It presents a dramatized version of the mutiny that occurred in 1905 when the crew of the Russian battleship Potemkin rebelled against their officers of the Tsarist regime. Battleship Potemkin has been called one of the most influential propaganda films of all time,and was named the greatest film of all time at the Brussels World's Fair in 1958.

Battleship Potemkin (Russian: Броненосец «Потёмкин», Bronenosets Potyomkin), sometimes rendered as Battleship Potyomkin, is a 1925 silent film directed by Sergei Eisenstein and produced by Mosfilm. It presents a dramatized version of the mutiny that occurred in 1905 when the crew of the Russian battleship Potemkin rebelled against their officers of the Tsarist regime. Battleship Potemkin has been called one of the most influential propaganda films of all time,and was named the greatest film of all time at the Brussels World's Fair in 1958.

Battleship Potemkin (Russian: Броненосец «Потёмкин», Bronenosets Potyomkin), sometimes rendered as Battleship Potyomkin, is a 1925 silent film directed by Sergei Eisenstein and produced by Mosfilm. It presents a dramatized version of the mutiny that occurred in 1905 when the crew of the Russian battleship Potemkin rebelled against their officers of the Tsarist regime. Battleship Potemkin has been called one of the most influential propaganda films of all time,and was named the greatest film of all time at the Brussels World's Fair in 1958.

Battleship Potemkin (Russian: Броненосец «Потёмкин», Bronenosets Potyomkin), sometimes rendered as Battleship Potyomkin, is a 1925 silent film directed by Sergei Eisenstein and produced by Mosfilm. It presents a dramatized version of the mutiny that occurred in 1905 when the crew of the Russian battleship Potemkin rebelled against their officers of the Tsarist regime. Battleship Potemkin has been called one of the most influential propaganda films of all time,and was named the greatest film of all time at the Brussels World's Fair in 1958.

In this episode, you gotta be careful what you buy in bars, if it looks too good to be true, it might just be not true. In this episode: - Fool: Yann Le Bail, - Bait: Vickie Eisenstein, - Merchant: Tony Han, - Woman Customer: Daria Krutova.

Tightroping Elephants: http://tightropingelephants.com In this episode, all means are good for a beer, even on ladies night. In this episode: - Woman Blondie: Vickie Eisenstein, - Brunie: Annette Taehyang Kim, - Man Blondie: Aurélien Lainé.

Eisensteins filmisches Meisterwerk anlässlich des 10. Jahrestages der Oktoberrevolution. Es handelt sich hier um eine nachvertonte Fassung (ohne Dialoge) mit Musik von Dimitri Shostakovich.

Eisenstein Stummfilm-Meisterwerk über den Matrosenaufstand während der Revolution 1905. Zwischetitel in Englisch.

Eisensteins erster Film zu den revolutionären Umstürzen in Russland anfang des letzten Jahrhunderts. Stummfilm von 1925. Regie: S.M. Eisenstein. Zwischetitel in Englisch und Russisch.

A/1961. Dr. Gabriel Eisenstein, Syndikus bei Arabayam & Co., muss wegen Beleidigung einer Amtsperson eine achttägige Arreststrafe im Bezirksgefängnis von Grinzing antreten. Gleichzeitig soll er aber für seinen Arbeitgeber Basil Arabayam als Marquis Renard mit einer fingierten Ehefrau den Ball des Prinzen Orlofsky besuchen. Besagte Frau soll den Prinzen dazu bewegen, ihr ölreiche Ländereien in Bakutin am Schwarzen Meer zu schenken, die umgehend an Arabayam weitergegeben werden sollen

Documental italiano de 1987. Contado a traves de los escritos del propio Sergei M. Eisenstein (1898 - 1948)

Sergei Eisenstein classic Russian Epic.

Sergei Eisenstein masterpiece. You will never forget the troops marching, advancing down the steps.

Alexander Nevsky (Sergei Eisenstein).

Yet a film from the brilliant Sergei Eisenstein.

Eisenstein's continuation of Ivan's tale.

*This film is subtitled!* A classic Sergei Eisenstein masterpiece. This is the first of his two films about the Russian Tsar Ivan The Terrible.

Film de Eisenstein

Pelicula de la Union Sovietica de 1925 de Eisenstein. Mas en http://gto.es.kz/

Battleship Potemkin is a feature film classic from master Russian director Sergei Eisenstein. The thrust of the movie is a dramatic retelling of the events leading to the Bolshevik Revolution. The film centers on Russian ship Prince Potemkin where a horribly bloody mutiny took place. Eisenstein signals this as the jumping off point for the Revolution. The cast of the film were all amateur hand picked by Eisenstein, and his treatment of people in the film lends more to the character of masses than to individuals. This is truly Eisenstein’s most powerful and lasting work. Battleship Potemkin soars as one of the greatest silent films ever made.

In einem bekannten Film von Sergej Eisenstein führt Lenin die revolutionären Massen zum Sturm auf das Winterpalais, den Sitz der russischen Regierung in St. Petersburg. Doch in Wirklichkeit ist Lenin beim Auftakt zur russischen Oktoberrevolution gar nicht dabei. Und es ist auch kein großer Sturm, sondern ein Handstreich, mit dem sich eine kleine Zahl bewaffneter Bolschewiki an die Macht putscht und der - so der Schriftsteller Wolfgang Leonhard - “von der Mehrheit der Bevölkerung gar nicht bemerkt wird”. “Sieg der Revolution”, Teil 1 der Dokumentation um die Geschichte des Kommunismus, zerstört die Legende um das Wirken des ersten kommunistischen Führers: Wladimir Iljitsch Lenin. Sein unbändiger Machtwillen, seine skrupellose Gewaltbereitschaft und sein unerträgliches Gespür für die Stimmungen der Masse der verarmten Bevölkerung bringen ihn an die Spitze der Bewegung und halten ihn an der Macht.

The classic Sergei Eisenstein's Battleship Potemkin, a silent movie, is regarded as a yardstick in cinema "engagé", with its theme of the working class rising up against their ruthless and couldn't-care-less oppressors (czarist Russia), and, despite its evident propaganda rationale, as one of the greatest films ever made. For those who haven't seen it yet, don't overlook the (famous) Odessa steps sequence. In brief: a baby's pram rolls uncontrollably down stairs during a riot, Cossack soldiers open fire on the crowd, the people of Odessa scatter and run - and become sitting targets. Although this scene has been replicated (some might prefer the word "quoted") many times throughout movie-making history, it still preserves intact its awe-inspiring quality.

Regarded as the prime example of Russian montage film making and probably director Sergei Eisenstein's most well known work. Must viewing for anyone interesting in understanding the dialectic nature of film editing.