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Pepper and Max playing then decide to take a nap.

In which Adam switches to nylon strings for a set that concentrates on the guitar playing over the electronic soundscapes.

クリア参考に。

クリア参考に。

クリア参考に。

クリア参考に。

クリア参考に。

動画冒頭で装備詳細が見れます。 武器は未強化、OPゴミを使用。 運用積んでるマニュスナとの比較用。

動画冒頭で装備詳細が見れます。 武器は未強化、OPゴミを使用。 運用積んでるマニュスナとの比較用。

当クランのスター乱れ咲き(通称クーさん)さん側視点の試合。マニュスナ２発当てて、その後もう一発当てても倒れない人が居て・・・(１分５２秒辺り)。回復周期の影響かも。

グレ練習初日！

グレ練習初日！

最初カクついて砂外した(低スペ乙 こわかった・・・(´･ω･` ) ガチ勢とは二度と戦いたくない(｀・ω・´) 緊張で変な汗かいた・・・

ここ狭いから嫌い(´･ω･` )

ドドドドド!!＞(◇´＝ )もらったぁ もらったぁノ￣ー￣)ノ=>┼○ドン!! (ﾟДﾟ)駄目だ!!

It's that time of year again, when the Stag & Hounds puts on several whole weeks of free music. So lets see what we have on offer the time. First up, some straight-ahead rock with plenty of solos.

マニュスナとガトリングだってやれば出来る子(｀・ω・´)

フレームレートが３０なのとcスキルの火気運用術が相まって若干早送りに見える(笑)。

５０対２９という大差で負けた試合。 味方も余裕が無いのか左通路からの敵に気付かず攻め込まれ・・・

～それは地雷から始まる物語～

hounds

In which Matt puts a selection of effects on top of his organ, and manipulates & launches the resulting sounds in all directions.

In which we're treated to a sweaty high energy assault of synth, drums & shouting that ends with both bandmembers shirtless.

孤独な猟犬のバチルス駆除日記 ☆今回の戦友　KEROSTさん、犬U・ω・Uさん、HIROAKIさん、ゅぅちゃさん、ピコさん 導入までのおおまかな流れ　༼ꉺ౪ꉺ༽＜適当だよ！ http://hounds.***.com/ 1・ＤＭＭ登録 2・ハウンズ落とす 3・アプデくっそ長いの耐える

孤独な猟犬のバチルス駆除日記 ☆今回の戦友　KEROSTさん、犬U・ω・Uさん、HIROAKIさん、ゅぅちゃさん 導入までのおおまかな流れ　༼ꉺ౪ꉺ༽＜適当だよ！ http://hounds.***.com/ 1・ＤＭＭ登録 2・ハウンズ落とす 3・アプデくっそ長いの耐える

孤独な猟犬のバチルス駆除日記 ☆今回の戦友　KEROSTさん、犬U・ω・Uさん、HIROAKIさん 導入までのおおまかな流れ　༼ꉺ౪ꉺ༽＜適当だよ！ http://hounds.***.com/ 1・ＤＭＭ登録 2・ハウンズ落とす 3・アプデくっそ長いの耐える

孤独な猟犬のバチルス駆除日記 ☆今回の戦友　白孔雀さん、KEROSTさん、犬U・ω・Uさん、HIROAKIさん 導入までのおおまかな流れ　༼ꉺ౪ꉺ༽＜適当だよ！ http://hounds.***.com/ 1・ＤＭＭ登録 2・ハウンズ落とす 3・アプデくっそ長いの耐える

孤独な猟犬のバチルス駆除日記 ☆今回の戦友　白孔雀さん 導入までのおおまかな流れ　༼ꉺ౪ꉺ༽＜適当だよ！ http://hounds.***.com/ 1・ＤＭＭ登録 2・ハウンズ落とす 3・アプデくっそ長いの耐える

孤独な猟犬のバチルス駆除日記 ☆今回の戦友　危ない講師さん、ピコさん 導入までのおおまかな流れ　༼ꉺ౪ꉺ༽＜適当だよ！ http://hounds.***.com/ 1・ＤＭＭ登録 2・ハウンズ落とす 3・アプデくっそ長いの耐える

孤独な猟犬のバチルス駆除日記 ☆今回の戦友　危ない講師さん、ピコさん 導入までのおおまかな流れ　༼ꉺ౪ꉺ༽＜適当だよ！ http://hounds.***.com/ 1・ＤＭＭ登録 2・ハウンズ落とす 3・アプデくっそ長いの耐える

孤独な猟犬のバチルス駆除日記 ☆救出オフィスは野良の方にお手伝い頂きました 導入までのおおまかな流れ　༼ꉺ౪ꉺ༽＜適当だよ！ http://hounds.***.com/ 1・ＤＭＭ登録 2・ハウンズ落とす 3・アプデくっそ長いの耐える

孤独な猟犬のバチルス駆除日記 導入までのおおまかな流れ　༼ꉺ౪ꉺ༽＜適当だよ！ http://hounds.***.com/ 1・ＤＭＭ登録 2・ハウンズ落とす 3・アプデくっそ長いの耐える

What's better than a boatful of your mates in the Mentawai's surfing uncrowded perfection? Nothing is! Harro and the Barrel crew hook up with Peter Hayes, Max Tough and a heap more barrel hounds and they get exactly what they came for.

In which we drop the bass, and the lead singer drops to her knees to heighten the drama.

In which 3 out of 4 definitely isn't bad as some familiar faces regroup to attack their instruments again.

In which Scarlett sings the blues, while enveloped in orange stage lights.

In which we once again fight against the dread hand of misspelled flyers. Oh well, just take the passion and put it into your performance.

In which the Stag once again fills the airwaves with stomping blues and country sounds to get people moving on a friday night.

In which we contrast with most noisy rock by having the vocals more distorted than the guitars. There are worse ways to stand out from the crowd.

In which the first of two acts from leeds unleashes dissonant arpeggios and metallic bass riffs on us.

Time for a return visit to this group's angular, fast-changing songs. Let's see just how much I can remember from last time.

In which we get a band who's name is 100% accurate and informative, while telling us nothing about their music. I guess I'd better investigate then.

In which Jack makes this performance personal for each and every one of the audience, including the bar staff. I think a bigger fanbase is in order.

In which we're exposed to music that's far more melodic, dynamic, and cinematic than our usual fare. Let's hope they'll have a larger audience the next time they come our way.

In which Jack brings his band along, making the event invitation inaccurate.

In which I finish up the night filming shirtless norwegians. I can definitely say that hasn't happened before.

In which we remain loud, but add a whole load of odd angles to the music.

In which the backline is so big, the band has trouble fitting on the stage. You know it's going to be a loud one before they play a note. I hope you brought earplugs.

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