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In which Isadora & Joseph set the mood with some performance art & poetry before introducing the bands.

In which Eliza plays a different instrument for almost every song, and has plenty of stories to tell of her travels with all of them in between.

In which we kick of the evening with some icy cool synthpop to get our ears warmed up.

In which they play so hard the drummer breaks the snare. Thankfully, the other bands are kind enough to help out.

In which some highly hirstute americans with a very interesting selection of guitars play some long and twisting songs.

In which all of the band join in on some tight harmonies, but never let them get in the way of rocking hard.

In which Giles once again starts us off with his distinct blend of atmospheric loops and whispered vocals with occasional bursts of screaming noise.

In which we climax with a multi-genre explosion of instrumental and vocal interplay.

Time for the birthday boy to give us a set full of feedback and no strings (well, maybe a few) attached foolery.

In which the first of Commander McNeil's birthday selection of artists travels all the way from buckinghamshire to entertain us.

Time to conclude things with the traditional lion dragon dance and crashing percussion to scare away any evil spirits that might be around.

In which we head to yet another far-flung corner of the world for some cape malay jazz.

Time for some more choreographed dance work, this time even more high energy and rapid-fire in selection of songs.

In which some of makalas music gets full choreographed dance routines.

Time for our local dojo to show off their skills so all the guests can see the benefits of martial arts training.

Time for a little musical tour with some instrument swapping thrown in.

In which Makala celebrates the Chinese harvest festival by assembling as many asian performers as can fit in the fleece. First up, a little singer-songwriter, as they're always easy to set up for.

Once more round with a few singalongs.

These are not out of order, just alternating sets.

Time for Louisa & Morgan to give the crowd some songs everyone will know, as this is a family show.

Time to turn it down a little with an acoustic set that'll hopefully entertain the visitors without disturbing the cats too much.

Time to say goodbye to the Honeyfire as we currently know them with some surprises and special guests.

In which the Horses start early, so they can give us a high energy performance with some impromptu surprises.

In which we import some cool piano balladry from Brighton to open up the show.

In which Martin enjoys the home team advantage on this leg of the tour and gets a little help from his friends to make the melodies and harmonies bigger and sweeter.

In which Jo returns from Glasgow with a whole load of new songs, sketches and seeds to sow to grow some new fans.

In which we conclude with some twangy, tremelo heavy guitar atmospherics.

In which the evolving electronic noise onslaught overflows from the stage and clatters and buzzes all over the floor.

In which we have to deal with a little identity crisis.

In which we drop the bass entirely, for some dual guitar riffing and pedal stomping action.

In which we explore some more ways bass drones can be twisted and manipulated by a wide range of effects.

In which we finish off the day with a rapid-fire selection of reggae riddims that whips the crowd into a frenzy.

In which Kizzy and Victoria give their students another opportunity to get out there and show what they've learnt, with some spectacular successes.

In which Sasha gives the sunshine a little more encouragement with optimistic music and a bright colour scheme.

In which Sam makes heavy use of the loopstation to fill out his songs, including several interestingly reimagined covers.

In which we have plenty of light and shade in both the songs and the weather, helped along by a fair bit of instrument switching.

In which Louisa gives her students a chance to show what they've learnt to the world, and hopefully get some new ones as well.

In which we get another set of popular songs re-imagined, this time with steel drums.

In which the rain starts to clear up, just in time for us to crank up the volume for some twangy, solo-filled country-rock.

In which we celebrate Keynsham's wonders from an outsider's perspective, with custom writing by a singer-songwriter from italy.

In which we get an education in the blues, and the things those old singers snuck under the radar.

Time for a little ukulele between friends, with some more interesting reinterpretations of familiar songs.

In which a sudden downpour gives Flowerpot an excellent chance to reach out to the younger generation.

In which we kick off the top stage with plenty of songs that everyone but our youngest viewers will already know by heart.

Time for another all day filming session, this time with a lot more moving around.. First up, the Keynsham brass band gives us their interpretation of a wide range of material.

Time for Sarah and Elliot to once again take the lead and power through to the end with a high energy performance.

In which Ant and the gang power through life's little trials with plenty of humour to give us the longest set of the day.

In which elliot and sara get len up again to play yet more instruments and give their songs different textures.

Time once again to go back to the 60's for a selection of classics, and a few originals in the same vein.

In which James continues to develop his songwriting chops, giving sara and elliot a chance to just kick back and play hard.