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Lara completes the manor with all artifacts and she plays us out with a familar theme tune....

Croft manor,and i get all the artifacts......

Lara cuts the mustard at Damocles

(*Originally uploaded on YouTube on 03/2018*) My review on the 2003 entry in the Tomb Raider franchise, Lara Croft: Tomb Raider - The Cradle of Life.

(*Originally uploaded on Youtube on 02/2018*) My review on the 2001 action-adventure movie based on the Tomb Raider series, Lara Croft: Tomb Raider.

this advert from 81 has an bizzare name for slimming chocolate to enjoy . frankie croft smales

the intro and commercials for quatro enjoy. frankie croft smales

Tomb Raider's Lara Croft mixed w/ Sherlock Holmes & placed in a steampunk world.

i am attempting to make myself jump in a form of an shock reaction to an scary Japanese tyre commercial to enjoy. frankie croft smales Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

I begin to march myself through my backlog of games, starting with: Tomb Raider (2013 reboot), Metal Gear Solid 5: the Phantom Pain, Hitman Absolution, Witcher 3: Wild Hunt

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De Nederlands Opera, Muziektheater Amsterdam David Malis: Figaro (baritono) Rosina: Jennifer Larmore (mezzo-soprano) Almaviva: Richard Croft Basilio: Simone Alaimo (basso-baritono) Bartolo: Renato Capecchi (basso-baritono) Berta: Leonie Schoon (mezzo-soprano) Fiorello # Policial (2 personagens): Roger Smeets (baritono) Chorus of the Netherlands Opera (chorus master: Winifried Maczewski) The Netherlands Chamber Orchestra Regência: Alberto Zedda Dario Fo, stage director Legendas em português Sottotitoli in portoghese Portuguese Subtitles Ópera basaeada na peça "Le barbier de Séville" do autor teatral francês Pierre-Augustin Caron de Beaumarchais.

Ópera de Giacomo Puccini, libreto de Guelfo Civinini e Carlo Zangarini, baseada na história "The Girl of the Golden West" de David Belasco. .. Barbara Daniels: Minnie .. Plácido Domingo: Johnson .. Sherrill Milnes: Rance .. Anthony Laciura: Nick .. Julien Robbins: Ashby .. Kim Josephson: Sonora .. Charles Anthony: Trin .. James Courtney: Sid .. Richard Vernon: Bello .. Bernard Fitch: Harry .. Michael Forest: Joe .. Kevin Short: Happy .. Dwayne Croft: Larkens .. Hao Jiang Tian: Jackrabbit .. Regente: Leonard Slatkin .. https://pt.wikipedia.org/wiki/La_fanciulla_del_West .. Subtítulos en Español .. Legendas em Espanhol .. Sottotitoli in Spagnolo .. Subtitles in Spanish

Conquering mighty beasts, travelling the globe, collecting artifacts - Lara Croft has quite the extensive resume. Join http://www.WatchMojo.com as we countdown our picks for the Top 10 Tomb Raider Games.

Bradley Croft and his company Innovative Pool Solutions has done a fantastic job for our HOA Community Pool. Xara and Lando training.

Stokes Croft is blocked off by the police again tonight, but just up the road, these guys are still packing the place out with some unique, beatbox-centric songs. Only in bristol, eh?

In which some smartly dressed Australians have come all around the world to see us, so let's give them something worth taking back home.

In which we welcome the farthest-travelling act I've seen so far with our familiar Australian-Bristolian bluegrass combo. Now, if only there was more audience here to get nicely warmed up.

In which tons of distortion and reverb combine to create a stormy sea of sound, contrasting with the gentle waves of earlier.

In which both the drummer and the audience get violently serenaded as the rest of the band step on and off the stage at will.

In which Serena is typically self-depreciating despite pulling double duty tonight to make up for a cancellation.

In which we finish things off with the traditional struggle against feedback when trying to play delicate acoustic music.

In which we alternate pretentiousness and self-absorption with boobies and self-depreciation. Internal conflict makes an artist more interesting, or something.

In which we start off with a little 90's boyband balladry, and go from there.

In which we're altogether too sweet for a noisy joint like this. Let's close the door first, and then go from there.

In which I attempt another round of simultaneous multiple band filming action. Unfortunately, Glammous are just too much action to follow up on, so this is all you get from the main stage tonight. Camera by Freya Stealey

In which we make a quick change and go from good girls to very bad ones indeed. ;)

In which two duos combine forces to make a supergroup of sorts.

In which we get a bit of that african style guitar that's coming into fashion these days.

Band no 3 push through illness to bring us their performance.

In which we split things evenly between ballads and funk.

In which the ATM students have a performance night, but not all of them announce themselves clearly.

In which one of the biggest collections of audio equipment I've ever seen on a stage is turned to the purpose of unleashing chaos and assaulting our eardrums. I'm both impressed and terrified.

In which we have a short but exceedingly brutal set by a brand new band.

In which we smash not just one, but two guitars. That's what I call dedication to your art.

My second final gig of the month, this one kinda seemed to come out nowhere. Not sure exactly why they're breaking up just as they release their first album, but it's a shame anyway. So let's see them fill a venue one more time.

In which we start off with some funked up live hip-hop.

In which everything is turned up to 11 and stays there throughout. Even with earplugs, my ears were ringing after this.

In which a band with two basses ironically manages to have some of the harshest treble I've ever heard. What are they doing with their effects pedals?

In which I am highly amused by their withering put-down of crap indie bands.

Fresh from last week's chaos at Start the Bus, the Pens find their reputation growing, and their live show is not watered down in response. I wear my sunglasses at night, just in case I get whipped by fairy lights.

In which they do some audience participation, only to find the audience reticient. Oh well, get the support band to help out instead. :p

In which we're hit like a jackhammer by angular bass and dissonant guitar sounds.

In which the melodiousness of the songs is belied by the sheer force with which they're delivered. Or maybe I shouldn't be right in front of the amp if my ears can't take the heat.

I originally came here to catch a complete set from one of the artists I only saw a snippet of at Stokes croft streetfest. Turns out I still get my wish, only of a different one. That's life for you.

I find it very odd that the Lunarians aren't bigger than they are, when they have both a great frontman, and music that's quite in tune with my personal tastes. You know what this needs? More promotion.

In which we have another looping device incorporated into the songs, and other interesting instruments. Of course I'm curious to see what kind of sounds come out.

In which we get another demonstration of just how much the right set of effects can add to a song.

In which we get another interesting demonstration of how technology allows one person to put on a whole show.

Given the number of songs he has about social issues, I find the undercover hippy's name very appropriate. What better place to catch him than stokes croft.