FC2Video

This is the final concert of the WRHS Orchestra. It was held at White Concert Hall and this video includes the performance of Zero hour. They played Elizabethan Serenade by Ronald Binge, arranged by Pollen; Czardas by V. Monti; The Waltzing Cat by Leroy Anderson; Carnival of the Animals by C. Saint- Saëns and Waltz No. 2 by Dmitri Shostakovich, arranged by Paul Lavender.

This video montage is of Stanley Kubrick's famous 1964 Cold War satire "Dr. Stangelove, or How I Learned to Stop Worrying and Live with the Bomb". The video contains spoken dialog from the film as well as Shostakovich's "Leningard" Symphony as the soundtrack.

Apostol Milenkov, Peter WesenAuer, Simfonieta da Camera Salzburg, Choir of the Russian Church in Vienna - 2.June 2010 Vienna

Eisensteins filmisches Meisterwerk anlässlich des 10. Jahrestages der Oktoberrevolution. Es handelt sich hier um eine nachvertonte Fassung (ohne Dialoge) mit Musik von Dimitri Shostakovich.

Stevenson's monumental work takes more than an hour and a quarter to perform and may be the longest unbroken single movement composed for piano. The Passacaglia on DSCH is a large-scale composition for solo piano by the British composer Ronald Stevenson. It was composed between 24 December 1960 and 18 May 1962, except for two sections added on the day of the first performance on 10 December 1963. The composer presented a copy of the score to Dmitri Shostakovich, its dedicatee, at the 1962 Edinburgh Festival. The work takes the principle of passacaglia or chaconne - namely, strict variations on an unchanging subject, usually a ground bass, and applies it across a very large single-movement structure that divides into a cumulative design of many different musical styles and forms.

Stevenson's monumental work takes more than an hour and a quarter to perform and may be the longest unbroken single movement composed for piano. The Passacaglia on DSCH is a large-scale composition for solo piano by the British composer Ronald Stevenson. It was composed between 24 December 1960 and 18 May 1962, except for two sections added on the day of the first performance on 10 December 1963. The composer presented a copy of the score to Dmitri Shostakovich, its dedicatee, at the 1962 Edinburgh Festival. The work takes the principle of passacaglia or chaconne - namely, strict variations on an unchanging subject, usually a ground bass, and applies it across a very large single-movement structure that divides into a cumulative design of many different musical styles and forms.

Stevenson's monumental work takes more than an hour and a quarter to perform and may be the longest unbroken single movement composed for piano. The Passacaglia on DSCH is a large-scale composition for solo piano by the British composer Ronald Stevenson. It was composed between 24 December 1960 and 18 May 1962, except for two sections added on the day of the first performance on 10 December 1963. The composer presented a copy of the score to Dmitri Shostakovich, its dedicatee, at the 1962 Edinburgh Festival. The work takes the principle of passacaglia or chaconne - namely, strict variations on an unchanging subject, usually a ground bass, and applies it across a very large single-movement structure that divides into a cumulative design of many different musical styles and forms.

Stevenson's monumental work takes more than an hour and a quarter to perform and may be the longest unbroken single movement composed for piano. The Passacaglia on DSCH is a large-scale composition for solo piano by the British composer Ronald Stevenson. It was composed between 24 December 1960 and 18 May 1962, except for two sections added on the day of the first performance on 10 December 1963. The composer presented a copy of the score to Dmitri Shostakovich, its dedicatee, at the 1962 Edinburgh Festival. The work takes the principle of passacaglia or chaconne - namely, strict variations on an unchanging subject, usually a ground bass, and applies it across a very large single-movement structure that divides into a cumulative design of many different musical styles and forms.

Stevenson's monumental work takes more than an hour and a quarter to perform and may be the longest unbroken single movement composed for piano. The Passacaglia on DSCH is a large-scale composition for solo piano by the British composer Ronald Stevenson. It was composed between 24 December 1960 and 18 May 1962, except for two sections added on the day of the first performance on 10 December 1963. The composer presented a copy of the score to Dmitri Shostakovich, its dedicatee, at the 1962 Edinburgh Festival. The work takes the principle of passacaglia or chaconne - namely, strict variations on an unchanging subject, usually a ground bass, and applies it across a very large single-movement structure that divides into a cumulative design of many different musical styles and forms.

Stevenson's monumental work takes more than an hour and a quarter to perform and may be the longest unbroken single movement composed for piano. The Passacaglia on DSCH is a large-scale composition for solo piano by the British composer Ronald Stevenson. It was composed between 24 December 1960 and 18 May 1962, except for two sections added on the day of the first performance on 10 December 1963. The composer presented a copy of the score to Dmitri Shostakovich, its dedicatee, at the 1962 Edinburgh Festival. The work takes the principle of passacaglia or chaconne - namely, strict variations on an unchanging subject, usually a ground bass, and applies it across a very large single-movement structure that divides into a cumulative design of many different musical styles and forms.

The Passacaglia on DSCH is a large-scale composition for solo piano by the British composer Ronald Stevenson. It was composed between 24 December 1960 and 18 May 1962, except for two sections added on the day of the first performance on 10 December 1963. The composer presented a copy of the score to Dmitri Shostakovich, its dedicatee, at the 1962 Edinburgh Festival. The work takes the principle of passacaglia or chaconne - namely, strict variations on an unchanging subject, usually a ground bass, and applies it across a very large single-movement structure that divides into a cumulative design of many different musical styles and forms.

Stevenson's monumental work takes more than an hour and a quarter to perform and may be the longest unbroken single movement composed for piano. The Passacaglia on DSCH is a large-scale composition for solo piano by the British composer Ronald Stevenson. It was composed between 24 December 1960 and 18 May 1962, except for two sections added on the day of the first performance on 10 December 1963. The composer presented a copy of the score to Dmitri Shostakovich, its dedicatee, at the 1962 Edinburgh Festival. The work takes the principle of passacaglia or chaconne - namely, strict variations on an unchanging subject, usually a ground bass, and applies it across a very large single-movement structure that divides into a cumulative design of many different musical styles and forms.

Stevenson's monumental work takes more than an hour and a quarter to perform and may be the longest unbroken single movement composed for piano. The Passacaglia on DSCH is a large-scale composition for solo piano by the British composer Ronald Stevenson. It was composed between 24 December 1960 and 18 May 1962, except for two sections added on the day of the first performance on 10 December 1963. The composer presented a copy of the score to Dmitri Shostakovich, its dedicatee, at the 1962 Edinburgh Festival. The work takes the principle of passacaglia or chaconne - namely, strict variations on an unchanging subject, usually a ground bass, and applies it across a very large single-movement structure that divides into a cumulative design of many different musical styles and forms.

he Passacaglia on DSCH is a large-scale composition for solo piano by the British composer Ronald Stevenson. It was composed between 24 December 1960 and 18 May 1962, except for two sections added on the day of the first performance on 10 December 1963. The composer presented a copy of the score to Dmitri Shostakovich, its dedicatee, at the 1962 Edinburgh Festival. The work takes the principle of passacaglia or chaconne - nIt is based on a 13-note 'ground' derived from the musical motif D, E-flat, C, B: the German transliteration of Dmitri Shostakovich's initials ("D. Sch."). (Shostakovich used these four notes as a musical 'signature', for example in his Eighth String Quartet). Stevenson's work takes more than an hour and a quarter to perform and may be the longest unbroken single movement composed for piano.

Space Panorama Performed by Andrew Dawson Narrated by Gavin Robertson Directed by Jos Houben Andrew Dawson in Space Panorama Space Panorama is a sparkling recreation of the Apollo 11 moon landing. Standing behind a large black clothed table, accompanied by a narrator and music from Shostakovich's 10th Symphony, we explore this surface and the spaces above it using only hands, arms and upper torso to create a constantly entrancing documentary of the entire mission. He dextrously takes us from Houston to the moon and back down to Earth again, conveying the colossal distances and risks involved simply through the arrangement of one hand in relation to the other, with the odd facial expression thrown in for good measure.

Sir Andrew Davis returns to the RSNO for a programme of Tippett, Schumann and Shostakovich.

Mike McCarthy, Kristen Kapalka, Abby McGreehan, and Jeff Borrebach perform Shostakovich String Quartet No. 8 during Case Western's 24-Hour Recital 2009.

Maria Alexandrova as Balerina and Lubov Filippova as Anxious-to-be-younger-than-she-is Dacha Dweller in comic ballet "The Bright Stream" by Dmitry Shostakovich. 2nd act.

Maria Alexandrova as Balerina and Sergei Filin as Ballet Dancer in comic ballet "The Bright Stream" by Dmitry Shostakovich. 1st act.

Black Violin performs for a live and hype crowd at FIU in Miami, FL. Combining a daunting array of musical styles and influences to produce a signature sound that is not quite maestro, not quite emcee, this group of two classically trained violinists and their DJ is redefining the music world-one string at a time. With influences ranging from Shostakovich and Bach to Nas and Jay-Z, Black Violin breaks all the rules, blending the classical with the modern to create something rare-a sound that nobody has ever heard, but that everybody wants to feel. In an age where music is coming to be more and more defined by the labels given to it, Black Violin shows that music does not exist within a box, but rather exists in another space-one as open and unrestrained as the minds that produce it. www.BlackViolin.net HALO TV - New Entertainment

Music by Russian composer Dymitri Shostakovich